“Inside Sports Illustrated Swimsuit star Brooks Nader's New Orleans wedding

“Inside Sports Illustrated Swimsuit star Brooks Nader's New Orleans wedding - Daily Mail” plus 1 more

Inside Sports Illustrated Swimsuit star Brooks Nader's New Orleans wedding - Daily Mail

Posted: 18 Dec 2019 12:00 AM PST

Brooks Nader stunned in a figure-hugging Oscar de la Renta gown and plenty of diamonds when she wed Billy Haire in a lavish ceremony in New Orleans, Louisiana, on Saturday.

The Sports Illustrated Swimsuit Rookie, 22, and her advertiser beau, 33, said 'I do' at St. Mary's Church in front of 310 guests — including some of her friends from Sports Illustrated.

'Our big day was nothing short of magical and filled with all the people we love most who traveled from all over the world which meant so much to us!' Brooks told DailyMail.com exclusively.

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Big Day: Brooks Nader and Billy Haire said 'I do' in New Orleans, Louisiana, on Saturday

Unforgettable: The bride old DailyMail.com that their 'big day was nothing short of magical'

Perfect fit: The 22-year-old Sports Illustrated Swimsuit model donned a figure-hugging strapless gown by Oscar de la Renta

Brooks said she spent more than a year working out the details of her wedding with her Louisiana-based planner Leslie Campbell.

They collaborated with several designers and vendors from Manhattan, including Ceci Johnson of Ceci New York, who created their wedding invitations.

'One of my favorite (and our guests) part of the evening was at the end we had a 10 person bass brand (separate from our regular band) lead us out of the venue and into the streets of the French quarter for a parade,' she recalled.

'We had police escorts closing Bourbon [Street] off and everyone on the sidewalks was cheering and screaming for us and our guests and we marched down! It was a huge party!'

Stunning: Brooks wore her highlighted brown hair pulled half up and loose around her shoulders

Stunning: Before dancing the night away, Brooks changed into a second gown — a custom sparkly sequin strapless by Viero Bridal.

While the night ended with a bang, the Louisiana native opted for a more traditional ceremony with a royal touch.

'I walked out to the same hymn as Kate Middleton. It fit the holiness and the power of the church!' she told The Knot of the choral masterpiece 'I was glad' by Sir Charles Hubert Hastings Parry from Psalm 122.

In addition to her engagement ring from Hamra Diamonds and new wedding band from Angara Jewelry, Brooks paired her strapless mermaid gown with diamond rings, tennis bracelets and earrings from Ring Concierge.

The model topped off her bridal look with a pair of white satin pointed-toe heels with ribbon ties by Dee Keller.

She wore her highlighted brown hair pulled half up and loose around her shoulders and a long veil by Daphne Newman when she walked down the aisle.

Making memories: Billy looked dapper in a classic tuxedo from The Black Tux as he danced with his new wife

Location: Brooks and Billy's wed at the opulent St. Mary's Church. She added a royal touch to the ceremony when she 'walked out to the same hymn as Kate Middleton'

Next up: The reception was held at the Old Ursuline Convent Museum immediately after the ceremony at the church, which is located on the grounds

Added touch: A brass band played as the 300-plus guests entered the wedding venue

The groom, meanwhile, looked dapper in a classic tuxedo from The Black Tux.

Although her gown looked sensational, Brooks revealed she almost had a wardrobe disaster leading up to her big day.

'One of the pieces of the wedding dress was set to make it to NYC from Paris on December 15, the day after the ceremony,' she explained. 'Lucky for me, that came earlier.'

New Orleans has always been a special place for Brooks, who grew up in Baton Rouge and went to Tulane University for two years before she moved to New York City to pursue modeling.

She told The Knot that she and Billy knew right away that St. Mary's Church and the Old Ursuline Convent Museum were the perfect places for their ceremony and reception.

Wedding decor: Brooks spent more than a year working out the details of her wedding with her Louisiana-based planner Leslie Campbell

Simple, yet elegant: The couple's wedding reception was filled with greenery, white flowers, and sparkly lamps that hung from the top of the tent

Added touch: Brooks and Billy had an ice bar with their family crest on display

The wedding started at 4:00 p.m. on Saturday at the church, which was built as the bishop's chapel in 1845.

The bride said she wanted the decor at the ceremony to be romantic, but they were also mindful to not distract from the opulent church's beauty.

They opted for 'lots of floating candles and minimal greenery' aside from the two large arrangements that flanked them at the front of the church.

The bridesmaids donned slinky champagne-colored dresses while the groomsmen had on tuxedos. The couple had them sit instead of stand at the ceremony to avoid any distraction from their surroundings.

Brooks worked with her planner to create her dream wedding and reception, which was held at the Old Ursuline Convent Museum immediately after the ceremony.

Special: The couple added some modern touches to the traditional venue, including a neon size from Lite Brite Neon that read, 'The Haires'

His and hers: the bride chose a classic seven-tier cake with flowers cascading down the side, while the groom paid homage to their home in the Big Apple with a New York City-theme cake

Something to cuddle with! Custom Hermes blankets were placed in the lounge area

Photographer Jenn Ocken took portraits of the newlyweds in the statuary gardens and private courtyards located on the historic 18th-century Convent grounds.

The couple added some modern touches to the traditional venue, including a neon size from Lite Brite Neon that read, 'The Haires,' custom Hermes blankets in the lounge area, and ice sculptures.

Before dancing the night away, Brooks changed into a second gown — a custom sparkly sequin strapless by Viero Bridal.

The newlyweds had a 90-minute cocktail hour with a brass band playing New Orleans jazz music while hors d'oeuvres and drinks were passed around to guests.

Brooks and Billy treated their friends and family to New Orleans fare and not one but two cakes.

Special: Brooks and Billy had a 90-minute cocktail hour with a brass band playing New Orleans jazz music while hors d'oeuvres and drinks were passed around to guests

'Serious exit': The bride said one of her favorite parts of their wedding was their second line parade to the after-party in the French Quarter

Taking over Bourbon Street! The police closed off part of the French Quarter for the newlyweds and their guests

While the bride chose a classic seven-tier cake with flowers cascading down the side, the groom paid homage to their home in the Big Apple with a New York City-theme cake decorated with the skyline and his favorite sports teams' logos.

At the end of the reception, they had a second line wedding parade to the after-party, which Brooks said they 'shut down part of the French Quarter for.'

A brass band led the way while she and her new husband held black and white Mardi Gras-style umbrellas. Their guests were given beads and white napkins to throw around during the festive parade.

Up until their wedding day, Brooks has kept mum about her relationship with Bill and their engagement.

She told The Knot that they met outside of the New York City rooftop lounge Mr. Purple before she had turned 21. Billy watched as her fake ID got rejected, and after meeting outside, they eventually started dating.

Amazing: The wedding came five months after Brooks was named Sports Illustrated Swimsuit's Model Search winner. The Rookie had a shoot for the magazine in Bali last month

Getting ready: Brooks enjoyed a pre-wedding workout with her 'ladies' at Pilates trainer Erin Romney at The Ritz-Carlton last Thursday, sharing the moment on her Instagram Story

Play-by-play: The model posted videos of her makeup artist Bruce Dean getting her ready for each event on her wedding weekend

Billy proposed last year and went all out, hiring a fake flogger to pretend to take photos along the South Street Seaport just so he could capture the moment he popped the question.

The couple also has a Sports Illustrated connection. Three years before she graced the pages of the Sports Illustrated Swimsuit Issue as a model search contestant, he worked as a sales manager at the iconic publication.

He has since moved on to become the digital group sales director of Sports at Time Inc., a role he has had since 2016.

Brooks was in Bali last month shooting her upcoming spread for the 2020 Sports Illustrated Swimsuit Issue after being named the year's first Rookie over the summer.

It looks like she has made some lasting friendships since she started working with the magazine, as she invited both Sports Illustrated Swimsuit models and staffers to her wedding weekend.

Making memories: As guests started to arrive on Friday morning, they shared photos of their wedding invitations and welcome bags

Added touches: Brooks and Billy gave guests water bottles, Zapp's chips, and Vital Proteins collagen shots

Bling ring: Brooks wore wearing jewelry from Cartier and Ring Concierge

Brooks kicked off the three-day event early with a pre-wedding workout with her 'ladies' at The Ritz-Carlton last Thursday.

On her Instagram Story, she shared videos of Pilates instructor Erin Romney directing them in what appears to be a conference room at the hotel.

'When @RomneysStuidos comes to you!' Brooks captioned one clip.

Later that night, she posted footage of her makeup artist Bruce Dean adding some last-minute touches to her look while in the back seat of a car.

Kelsey Hendrix, a digital and social media manager at the magazine, shared a photo of herself and SI Swimsuit model Raine Michaels posing at a bar on Bourbon Street with Brooks' three sisters: Mary Holland, Grace Ann, and Sarah Jane.

Ready to party: Party: Kelsey Hendrix, a digital and social media manager at Sports Illustrated Swimsuit, shared a photo of herself and SI Swimsuit model Raine Michaels on Bourbon Street

'Three Naders and two blondes': The duo happily took photos with Brooks' three sisters: Grace Ann, Mary Holland, and Sarah Jane (left to right)

Fun times: Brooks and Billy headed to Baton Rouge to attend a Louisiana State University Tigers game with her parents, sisters, and friends a few weeks before their wedding

'Three Naders and two blondes walk into a bar... #bourbonstreet #neworleans,' she captioned the image, which appeared to be taken on Thursday.

As guests started to arrive on Friday morning, they shared photos of their wedding invitations and welcome bags, which were filled with water bottles, Zapp's chips, and Vital Proteins collagen shots.

They were treated to brunch at New Orleans Country Club ahead of the welcome party that was held at the Twelfth Night Revelers suite Antoine's Restaurant later that night.

The wedding came just two weeks after Brooks and Billy headed to Baton Rouge to attend a Louisiana State University Tigers game with her parents, sisters, and friends.

The couple's pal Cooper MacDonnell shared photos from the group outing, including a picture of himself with actor Bryan Cranston, who also attended the game.

Throwback: Brooks celebrated her last days of singledom at her fun-filled bachelorette party in Cabo San Lucas last month

Model mayhem: Brooks showed off her figure in a white bikini and topped off her look with a sailor's hat

Yikes! The group ended up in the hospital with Brooks needing an IV because she drank the water and model Robin Holzken getting her hand wrapped after she accidentally cut herself

Brooks celebrated her last days of singledom at her fun-filled bachelorette party in Cabo San Lucas in November, just a few weeks after her Sports Illustrated shoot in Bali.

The bride-to-be and her pals shared plenty of photos from the getaway as they enjoyed some fun in the sun at their villa at Casa La Laguna.

Brooks was joined by her three sisters; her friends Melissa Sadler, Lian Radcliffe, Margaret Ortego, Janice Szeto, Taylor Carmouche, and Peyton Gutierrez; and fellow models Maia Cotton, Robin Holzken, Meredith McKernan, and Annika Krijt.

They had dinner at the club Mandala and posed for plenty of swimsuit photos, which is only fitting considering the bride is a swimsuit model.

Brooks showed off her figure in a white bikini and topped off her look with a sailor's hat as she spent some quality time with her closest friends.

Showered: Brooks' poolside bridal shower was held in October. She is pictured with her friend Taylor Carmouche at the celebration

Future husband: Billy posed for photos with his wife-to-be when he stopped by the shower

'Best weekend with my favorite ladies,' she captioned snapshots from the trip, though she admitted the 'fabulous weekend ended in a not-so-fab way.'

The group ended up in the hospital with Brooks needing an IV because she drank the water and Robin getting her hand wrapped after she accidentally stabbed it while cutting an avocado.

The model's friends were also on hand for her poolside bridal shower, which was held in late October.

Brooks looked every bit the bride-to-be in her white lace dress with puffed shoulders. She topped off her ethereal look with strappy white heels and a ribbon in her highlighted brown hair.

She happily posed for pictures with her friends and family, as well as Billy, who stopped by towards the end of the shower.

It's been an amazing year for Brooks, who was named Sports Illustrated Swimsuit's Model Search winner in July, securing her spot in the publication's 2020 issue.

Here's Why: Stainless Steel Is The Most Precious Metal - Quill & Pad

Posted: 18 Dec 2016 12:00 AM PST

The value of something is often based in large part on its real or perceived availability.

In the world of watches, especially with regards to collecting, rarity is a large factor contributing to the cost of a luxury timepiece. The reason is because rarity is almost always an implied condition that seems beyond control – like it just happens.

The reality is usually never that simple, especially with new timepieces. But the effect leads to valuing rarer watches, materials, and even techniques more than others of relatively equal standing. That statement is bound to draw disagreement, and such disagreement is perfectly justifiable.

Rarity and the assumed value based on rarity are all tied to emotion. Emotion is a perfectly valid reason to value something, otherwise humans would never fall in love, fight for their country, or sacrifice anything for the good of others.

But through the years I have come to discover that I am often a pragmatist and therefore making decisions based solely on emotion usually doesn't work out. So in the world of watches and collecting I end up standing on the opposite side of the fence from the majority. That is why today I am offering up another edition of "Here's Why" in which I focus on what I consider to be the most precious metal in watchmaking: stainless steel.

Spectacular stainless steel cladding on the Walt Disney Concert Hall in Los Angeles (photo courtesy John O'Neill/Wikipedia)

That's right, I think that out of all the metals, especially the white metals like platinum and white gold, stainless steel is the most precious metal.

Why do I think stainless steel is the most precious metal? There are many reasons to be sure, but I want to start with a general statement that will drive the discussion forward. It also may be the most obvious and most debatable: stainless steel looks very similar to white gold and platinum, so much so that there isn't much reason to use either of the latter.

Color

When describing colors of metals, especially in polished form, we usually use words like brightness, hue, cast, and tint to portray the visual differences. Hue specifically relates to the actual color while tint is an additional color to the main color. A color cast is usually related to film that is generally the result of light, reflections, and the mixtures of hue and tints, which provide an overall sense of another color. This is why white appears in variety of other colors under different lighting conditions and with different colors nearby.

While stainless steel, white gold, and platinum are all very similar, I will admit there are very subtle differences.

Patek Philippe 40th anniversary Nautilus chronograph in white gold

When it comes to white gold, which is a gold alloy that French speakers call or gris (grey gold), there will always be a warmer, slightly yellowish tint to it. Depending on which other metal is used in the alloy – be it platinum, silver, or nickel – the whiteness can be slightly different.

Urban Jürgensen Reference 1140L in solid platinum

Platinum alloys can vary as well but tend to be a brighter white than white gold with no color cast. If iridium or ruthenium is used as the alloying metal, platinum will retain an almost pure white hue. However, if cobalt is used (another very common alloying metal), then there is a bluish hue that nudges the platinum closer to the color of stainless steel. That alloy is usually plated with rhodium, which also returns it to a bright white luster and provides better abrasion resistance.

The very rare A. Lange & Söhne Lange 1 in stainless steel with black dial

Almost all stainless steel used in modern watches is of a variety called 316L – or in the case of Rolex, 904L. Both steels can be polished to a very high luster and have a slight bluish cast. The brightness is on par with white gold and only slightly less bright than platinum. Nonetheless, stainless steel will seem a bit cooler than precious metals.

These differences, however, are very subtle; most people cannot tell the metals apart unless that are placed side by side under a bright light. Experienced collectors and jewelers may be more able to spot the differences simply due to repeated exposure to the different metals, but they are the exception and not the rule.

Monsieur de Chanel in white gold

If we are being honest, the visual difference between the three metals is mostly negligible.

Romain Gauthier Logical One in platinum with white enamel dials

A preference for the slight variation of platinum or white gold over stainless steel is akin to choosing wall paint in ivory white over baby powder white (actual different colors). Sure, you can tell them apart when they are placed right next to each other, but seeing color has more to do with adjacent colors, contrast, and varying light sources than the actual hue.

Hermès Slim d'Hermès in stainless steel

Appearance versus cost

For the sake of argument, though, let's assume that for whatever reason, you just like the look of platinum or white gold a little bit more than stainless steel. This is perfectly fine; it's a feeling that can't be negated. But let's look at it another way: by choosing one over the other, we're paying a premium for having a slightly different appearance and more weight.

Slim d'Hermès 39.5 in steel (left) and Slim d'Hermès 39.5 Perpetual in red gold

Slim d'Hermès 39.5 in stainless steel (left) and Slim d'Hermès 39.5 Perpetual in red gold

To set a baseline, the visual difference between yellow gold and stainless steel is glaringly obvious, and for this example it will represent a 100 percent difference in visual appearance (not taking into consideration metal coatings like PVD or DLC).

If yellow gold versus stainless steel tops out the scale, what then would be the percentage difference between stainless steel and platinum? Maybe a 2 percent difference? Continuing on this theme, the difference between white gold and stainless steel might be a bit less, maybe 1.5 percent difference.

When it is put into terms like that, it becomes obvious that you are paying a premium for a very small difference in appearance. How much of a premium? Stainless steel currently is trading at $1.94 per kilogram, which equals about $0.05 per ounce. Platinum is currently at $1,087.20 per ounce, while white gold (depending on whether it is 18, 20, or 21-karat) hovers between $991.50 and $1,156.75 per ounce.

Glashütte Original PanoMaticInverse in stainless steel

This means that the premium for precious metals could theoretically be 20,000 times that of the stainless steel. Of course, this isn't how the watch industry works, but it should show that the cost of the stainless steel is negligible when determining the cost of a timepiece, while the cost of the white gold and platinum is definitely a tangible consideration.

Basically, the base price of a steel timepiece increases when you switch to a precious metal, however it is not linearly based on the cost of the actual metal used.

Value

The price increase for a watch housed in a precious metal case is usually completely arbitrary based on the manufacturer and other aspects that could even be features of the timepiece such as complications. For this example, taking the Rolex Daytona in stainless steel, white gold, and platinum provides the best illustration of how much the premium increases for each metal.

The amount of precious metal in a watch case varies greatly by style, whether a bracelet is involved, and what specific alloy is used. But a safe general estimate would be 1.5 to 3 ounces (40 to 90 grams) of precious metal in any given case, which still allows for a wide margin of error.

Audemars Piguet Royal Oak Offshore in stainless steel, a limited edition of 48 pieces

Audemars Piguet Royal Oak Offshore in stainless steel: this model comes in a limited edition of 48 pieces

Even given that margin of error, the cost of all the precious metals ends up being somewhere between $1,000 and $3,000, nowhere near the premium charged for these materials (the premium partially comes from another aspect I'll get to).

For a Daytona, white gold commands a $10,000 premium, while platinum sees a more than $35,000 increase in cost. Stainless steel is the only metal that doesn't see a premium attached (well, unless it's a Patek Philippe or one of those ultra-rare A. Lange & Söhne Lange 1 models, see The Value Of Rarity: Christie's Auctions A Black-Dialed A. Lange & Söhne Lange 1 In Stainless Steel), so you are much closer to getting what you pay for in sheer value. If a watch in precious metal is purchased as an investment, the value of the timepiece is tied much more to other factors than the precious metals included, since you see that the cost of the metals isn't much of a real factor in retail price.

Exercise in coherence: Rolex GMT Master II in stainless steel

Stainless steel clearly is a much smarter buy if you want to get the most bang for your buck and avoid paying hefty premiums. About those premiums . . . why aren't they tied more closely to the cost of the material?

Rarity

One answer is simple: implied scarcity and limited production. But those reasons, for new watches at least, are partially controlled by internal decisions (brands imposing limits on their own models rather than market forces or material availability) and partially cultivated emotions on the part of the buyer. When a brand wants to charge more for a stainless steel watch, the only thing it can really do is make the watch more complicated (becoming a different watch at that point), add gemstones, or limit the production. The limited availability increases demand per timepiece, therefore justifying increasing the price.

Stainless steel Rolex "Paul Newman" sold by Antiquorum for $231,750

The perception of the metals being rare does much more to imply limited availability than a brand can do by limiting production. The entire jewelry industry does its very best to make it seem like precious metals are exceedingly rare. And, while in all honesty, they are definitely rare compared to steel, the reality isn't as cut and dry. The average yearly production of steel is 9.5 million times more than platinum, though this number is nearly useless without corresponding numbers for both (though for gold, and at least partially platinum, our Ian Skellern has managed to unearth some usable numbers, which you can find in How To Make Gold. Warning: Don't Try This At Home!).

Let's continue with the platinum example. On average, 1.5 billion tons of steel is produced each year, a very large number. Given that huge number, it might become a bit more surprising to learn that on average 150 tons (330,700 pounds) of platinum are produced yearly. While this is much, much less than steel, it is no small amount of material. This is around seven cubic meters of platinum, or enough to make approximately 1.65 million solid platinum watch cases using a high estimate of around 90 grams per case.

Grönefeld Parallax Tourbillon

Of course, the amount of that yearly production of platinum that is earmarked for much more important industrial uses is significant; the entire jewelry industry uses a little less than 25 percent of the total, which does reduce the availability of platinum. Still, that could leave room for hundreds of thousands of solid platinum cases. Gold is a similar story, with a majority of the average 2,500 tons a year going to other uses such as electronics and aerospace, but an even higher 45 percent of the yearly production still goes to jewelry.

Jaeger-LeCoultre Reverso Classique in stainless steel

Rarity is really all relative, and in this case, not rare enough in the sense that should justify paying such a premium for it. Stainless steel comes with no implied rarity and no inflated cost, making the price of a watch in stainless steel much more accurate related to the watch itself.

Material properties take the cake

But none of what I have already discussed proves the case for stainless steel over precious metals aside from a purely economic or emotional standpoint. That is all debatable and decisions can be made for reasons that might not make perfect logical sense. What really matters is how the materials perform, and this is where stainless steel leaves the precious metals in the dust.

Czapek & Cie. in stainless steel from the Quai des Bergues collection

In purely engineering terms, stainless steel is a much better material for a watch case.

Yup, I said it.

Gold and platinum are ancient metals that people have used for thousands of years. And so they were established as fine jewelry materials because they hold a shine without tarnishing and were easy to work with. The second part of that sentence might sound good, but it is also what condemns precious metals: their general workability.

MB&F Legacy Machine Perpetual in platinum (left) and red gold

Gold and platinum are soft and allow for easy working using traditional tools and methods. For this reason to be used in jewelry, and especially, watch cases, the gold and platinum needs to be mixed with other metals to increase hardness, stiffness, durability, and wear resistance. As the percentage of other metals in the precious metal alloy increases, the properties approach the realm of strength and durability that stainless steel basks in all day long.

Some may argue that stainless steel is an alloy too, and I won't dispute that fact. But the argument that precious metals are inherently better because they are rarer falls away when you have to add base metals just to make them usable.

The typical platinum alloys used in watch cases are 95 percent platinum and 5 percent ruthenium or 95 percent platinum and 5 percent iridium by mass (that also changes the purity of 950 platinum based on the alloy metal used and its specific density). These two alloys have specific properties to them that makes them better or worse as materials for a watch case.

Jean Daniel Nicolas Two-Minute Tourbillon by Mr. Daniel Roth in platinum (photo courtesy Guy Lucas de Peslouan)

The platinum/iridium alloy is soft and dings easily. Unless it is hardened, it has half the strength (based on Vickers hardness) of soft white gold or annealed stainless steel. Platinum/ruthenium alloys fare better, being in the same ballpark as annealed white gold or 316L stainless steel.

Materials science nerd side note: an annealed state is the softest state a metal can be in after heating and cooling; most metals must usually be worked and hardened in some manner before use. Using a metal in an annealed state is useful for shaping and forming before final hardening.

White gold, platinum, and stainless steel cases are heat-treated and hardened before being utilized. As a frame of reference, titanium can be in the mid 800s Vickers, and ceramics can be two to four times that number. The maximum hardness for the best case scenario platinum or white gold alloys is right around 230 Vickers. Stainless steel, in its soft, fully annealed state is about 155 Vickers, but at full hardening can reach 390 Vickers, which is 70 percent harder than platinum or white gold.

Audemars Piguet Royal Oak Double Balance Wheel Openworked in stainless steel

This means that stainless steel will resist wear, dents, dings, and scratches better than either white gold or platinum. Plus, when platinum or white gold are hardened, they become more brittle than stainless steel, which could cause issues with cracking that the steel won't experience under a similar force (like banging it against a door frame really hard).

Stainless steel is much better at absorbing shocks and standing up to abuses suffered while on the wrist, all while continuing to look amazing.

The properties of precious metals also end up affecting the fabrication methods that modern companies use. Most cases are machined to their final form, even if some are first stamped and forged. The machining process is much more difficult with gold and platinum due to the density of the material. Where you might be able to machine 50 stainless steel cases before the cutting tool needs to be replaced, you may only cut 5 or 10 cases in a precious metal.

Patek Philippe 40th Anniversary Nautilus Date in platinum, Ref. 5711/1P

Patek Philippe 40th anniversary Nautilus Reference 5711/1P in platinum

The extremely dense platinum and gold simply wear the tools away much faster, increasing production cycle time and cost to produce each piece.

This added difficulty is actually where some of the premium for precious metals comes from. Also consider that when working with precious metals of such high value, the production process must be much more controlled regarding personnel, security, and material waste collection. Steel is "cheap," but gold and platinum is so valuable that every tiny little chip created during machining must be carefully collected to be melted back down and used again. This adds a large amount of effort to production that just isn't needed with stainless steel.

The results . . .

After this exhausting discussion, one thing should have become clear: stainless steel is an affordable, more efficient, and stronger material for use in watch cases than precious metal alternatives. If pure performance is desired, stainless steel wins every time. If looks are desired, the argument is difficult to make for platinum or white gold over stainless steel. If value is preferred, I don't think anyone can make an argument for the added expense of precious metals.

Stainless steel Kari Voutilainen GMT-6

If rarity and exclusivity are yearned for, well, stainless steel is just not a choice then.

Stainless steel is well known and affordable, but it will never have the allure of noble metals. That is just reality. Stainless steel wasn't even invented until the turn of the last century, but gold and platinum were used by every great society throughout history going back to the Egyptians.

Our personal preferences for white gold or platinum over stainless steel are usually dictated by how the metal makes us feel.

As someone who likes to actually wear watches every day — and I really mean exposing the watch to wear (gasp!) in my job – stainless steel is the most precious of metals for me. It can look incredible when polished or brushed and can hold up to the rigors of daily wear.

Titanium and ceramic are pretty awesome too, but humans still like those bright, shiny objects, and I feel that pull too. So I guess stainless steel is the best of both worlds for me: it has the looks and the brawn to perform like I want it to.

Jaeger-LeCoultre Geophysic Universal Time in highly polished stainless steel

Jaeger-LeCoultre Geophysic Universal Time in stainless steel

Stainless steel really is a marvel of engineering, and I thank science for providing a beautiful and strong alternative to precious metals.

What are your thoughts? Sound off in the comments about what metal is your favorite or if you agree or disagree that stainless steel is much more precious a material!

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“Inside Sports Illustrated Swimsuit star Brooks Nader's New Orleans wedding - Daily Mail” plus 1 more